1979年出生於重慶。
藍充，又名藍啟人，蘭州交通大學藝術學院副院長、副教授；中國進出口商品交易會(廣交會)永久會徽”寶相花”創作者；甘肅省新媒體藝術學會常務理事，甘肅省青年美術家協會副秘書長、甘肅美術家協會會員；2001年本科畢業於重慶師範大學美術學院，2004年赴天津美術學院進修，2010年碩士畢業於西北師範大學美術學院。
個展
2013 “涅槃”2012—2013藍充新作展
群展
2008 “觀念媒體”影像現場網路年展
2010 高墩營藝術節
2011 甘肅第四屆青年設計藝術展
     高墩營藝術節
     甘肅省“彩墨英華”青年美術作品展
2012 蘭州“破曉”當代藝術展
     首屆“中國蘭州交通大學-美國艾奧瓦州立大學”藝術作品  交流展
2013 後現代主義．新當代藝術展
     蘭州交大藝術學院建院10周年美術作品展

Lan Chong, whose alternate name is Lan Qiren, is the icepresident
and associate professor of College of Fine Arts of Lanzhou Jiaotong University. He is the designer of “Pophase flowers”, the permanent emblem for China Import and Export Fair (Canton Fair). He is managing director of New Media Fine Arts Society of Gansu Province, deputy secretary-general of Youth artists association of Gansu Province and member of Artists Association of Gansu Province. He was born in Changshou, Chongqing in May,
1979. He graduated from College of Fine Arts of Chongqing
Normal University Academy in 2001. In 2004, he engaged
in advanced studies in Tianjin Academy of Fine Arts. In
2010, he got his master degree from College of Fine Arts of
Northwest Normal University.
Solo Exhibitions
2013 2012-2013 Lan Chong’s new work display, “nirvana”
Group Exhibitions
2008 “Concept Media” Image Field Network Show
2010 Gaodunying Art Festival
2011 The Fourth Session of Youth Artistic Designing
Exhibition
Gansu Province “Fower Ying Hua” Youth Art
Exhibition
Gaodunying Art Festival
2012 Lanzhou “Daybreak” contemporary art exhibition
The first “Lanzhou Jiaotong University of China-
Iowa University of U.S.” artistic works exchange
exhibition
2013 Post-modernism-New Contemporary Art Exhibition
Art Exhibition for 10th anniversary of College of
Fine Arts of Lanzhou Jiaotong University

涅 槃．衝 冠
nirvana 2
180x100cm
oil on canvas

畫中的雞選擇了油畫的表現形式，但沒有依附於西方繪畫的傳統手法，而是依據主題表現的需要，採用現實性與象徵性相結合的手法，另找出路而自辟蹊徑。畫中的雞並沒有刻意描寫雞的整體形態，而是選取其典型的特徵，著重於頭部形象以及華麗羽毛的揮寫，專注於其情調狀態的渲染，無論是爭鬥的狀態，還是期待的情景，或者為冷漠的瞬間; 無論是聚集的形式，還是飛翔的姿態，或者是去來的情景……，似乎各有心態而難以述說。不同的形象處理，加強了立意的深度，也擴展了其文化內涵。……畫面形式傾心於色彩情調的追求，用很純的色彩鋪墊基調與
塑造形象，華麗豐滿而鮮明強烈，其主體物以外的其他環境，或簡約、或虛幻，或省略、或排除，顯示了襯托的意義，顯示了主題表現的需要，顯示了選擇性與取捨性的特點。

I have chosen to describe the chicken in the expression of oil painting. It is not drawn with traditional skills, which depends on the needs of preforming to use a realistic and symbolic skill. It did not deliberately describe the chicken shape in the painting, which illustrates with the symbolic elements, like the head and feather. Dealing with different form of image strengthens the meaning and culture connotation. Skillfully use the color contrast to highlight the objects.