1958年生於福建廈門。
2005年 入選 【中國當代油畫】 授予（當代中國美術家）鍍金牌 2006年 “橋藝術畫廊”個展
“第四屆中國重彩（岩彩）畫展”
2007年 “舊雨今來軒畫廊”個展
“海峽兩岸膠彩岩彩畫展”
2008年 入選【奧運2008特刊--現代藝術專刊】
【2008 當代藝術年鑒】
“北京宋莊藝術節”3個展“CHINA BLUE”當代 藝術展
2009年 加入【聯合國美術家協會】會員
【閩港臺澳中國畫邀請展】
2011年 第6屆“新世紀國際少兒美術大賽組委會”優秀輔
導教師大獎
2012年 出版“嚮往香格里拉”畫冊
2013年 入選【中國當代名家百人精品展】
【中國當代油畫展】
“神山聖水—香格里拉”個展
作品受中國、美國、法國、韓國、瑞典、日本、新加坡、
加拿大、臺灣、香港等國內外友人收藏

Zheng was born in 1958, Shamen.
2005 Obtained “Chinese Contemporary Oil Painting”
Contemporary Chinese Artists Golden Award
2006 Participated in “Bridge Art Gallery” solo exhibition
“Fourth thick-color (rock color) Exhibition”
2007 “LANLAN Gallery” solo exhibition
“Cross-Strait Acrylic and Mineral Color Exhibition”
2008 Selected to “2008 Olympics Journal – Contemporary Art Special Column”
“2008 Annual of Contemporary Art of China”
“Beijing Songzhuang Art Festival” 3 exhibition
“CHINA BLUE” Contemporary Art Exhibition
2010 Joined member of “United Artists Association”
Participated in “Hong Kong, Taiwan and Macao
Exhibition of Chinese Painting”
2011 6th“New Century International Children’s Art
Competition Committee” Excellent Tutors Awards
2012 Publication of “longing for Shangri-La” album
2013 “Chinese Contemporary Artists Exhibition”
“Chinese Contemporary Oil Painting Exhibition”
“Holy water - Shangri-La” solo exhibition
Artworks have been collected by China, United States,
France, South Korea, Sweden, Japan, Singapore,
Canada, Taiwan and Hong Kong foreign friends.

熱 戀
Dual
100X68CM
oil ON CANVAS

以當代新繪畫的手法：簡約明快，色純潔亮，洗練概括，變形誇張，率真樸實地表現具“東方美”純真無邪之“童趣美”畫面以頭部特寫及略帶小手姿勢，似抱愛子或玩物，橢圓的“蛋型臉”簡潔誇張，眼瞼下垂閉目作冥思靜默配上“柳葉眉”和“櫻桃小嘴”這些都具典型的“ 東方美”的特徵：文靜、雅致、乖巧、可愛。膚色紅潤粉白、健康潔淨。更著重點在頭髮的“書寫意味”，因為畫的風格不是寫實細描，也不靠細緻描繪眼睛來“傳神”,而採用“大寫意”手法來表達。因此能發揮大刷筆觸的揮灑自如、淋漓盡致、疾遲婉轉、波磔頓挫、虛實輕重、變化萬端而產生的“筆精色妙”之大手筆畫面的氣勢韻律節奏美。
應用“書寫意氣”極盡所能的生動發揮來喚醒觀者視覺感觀的愉悅的同時富於暢神之心緒昇華。因此，頭髮的一揮而就地表現好了，這關係到通幅畫面的視覺衝擊力，這一筆成敗以否在於一瞬間，很關鍵又很難！這便是“書寫性”表現繪畫的重點。“大寫意”與“簡約的造型色彩”的同時應用，是一種創新的償試，有待觀者名師的品評。

New contemporary painting techniques: simple and bright, pure light color, succinct summary of the deformation exaggeration, straightforward and simple to express with “Oriental Beauty” innocence of “ childlike beauty”. Screen with talking heads and hands slightly posture, like son, or hold a plaything, elliptical “egg -shaped face “ simple exaggeration, ptosis eyes for silent meditation accompanied by “LiuYeMei “ and “cherry mouth“. These are tools a typical “Oriental beauty” features: quiet, elegant, cute, cute. Ruddy pink, healthy and clean. More emphasis on the hair “writing means “because the style is not realistic painting fine description, nor depicted by meticulous eye to “vivid“, and a “freehand“ approach
to express. So they can play a large brush strokes effortless, incisive, late disease mildly, wave spine frustrated, the severity of the actual situation, resulting from changes in watery “wonderful color pen fine,” the big screen beauty rhythm
rhythmic momentum .
Applications “writing emotional “doing all it can to awaken the viewer to play a lively visual senses pleasure of God, while rich in smooth mood sublimation. Therefore, the hair one go to a good performance as it relates to the visual impact
through pieces of the screen, which is the sum of success in any moment, very critical and very difficult! This is the “writing“ of the performance of drawing focus. “ Impressionistic“ and “minimalist styling color” while the application is an innovative attempts, yet the viewer teacher evaluations.