1954年生於四川 。1988年至1999年分別在四川美院和中央美院油畫系學習。其中1997年考入中央美院油畫系第十屆助教研修工作室，完成碩士研究生主要課程。另畢業的專業為漢語言文學（1982年）。
其美術作品先後參加省、全國及國外展出並獲獎。多件作品在國家級刊物發表。1988年收入《中國現代美術家名人錄》1999年作品參加北京榮寶藝術品拍賣。部份作品被歐美、東南亞等國家收藏家等收藏，北京自由職業畫家。

Li was born in 1954, Sichuan China.Studied in the Sichuan Academy of Fine Arts and the Central Academy of Fine Arts from 1988 to 1999, respectively. In 1997, Li was admitted to the Central Academy of Fine Arts tenth assistant studio and completed the Master degree. Beside, Li is professional in Chinese Language and Literature (1982). His artworks have participated in the provincial, national and overseas exhibition with awards. Many of his works has been published in national journals. In 1988, has been collected in “China Modern Artists Celebrity List”.
Artworks involved in Beijing Rong Bao Art Auction in 1999. His artworks are collected by collectors from Europe, Southeast Asia. Li is currently a Beijing freelance artist .

時空。木馬 No.3
Trojan in Time no.3
100x80cm
oil on canvas

馬在生活、運輸、戰爭諸方面退出歷史舞臺後，現在僅剩下娛樂抑或說一種精神了。比如奧運賽馬，休閒旅遊騎馬等。綜觀歷史，在人與馬的歷史沿革中，產生並創造了博大精深的馬文化。她無處不在，我們常用的有關馬的詞語，如：馬到成功、龍馬精神等成語沿用至今。一種古今時空對話，一種稀冀馬文化精神的傳承是油畫《時空。木馬》系列作品的主題所在。
當馬文化處於這一特殊景況：傳統文化的斷裂以及當下美女經濟時代的背景下，我們感到的馬文化就像過去時的輝煌，殘存的餘光、暗淡的的風景是那樣令人尷尬。但作者沒有用玩世不恭的頹廢態度去表現這一真實的景象，而是以客觀的公允的態度表現了這一主題。
作品以國畫山水人物鞍馬為背景，借指馬文化的悠久歷史。前景中人物時尚都市女孩淩空騎木馬的形態暗指馬在當下的現狀。同時木馬不僅指娛樂。還可以指一種精神。虛畫木馬甚至不畫木馬。讓人聯想馬的實際功能雖不在但其形而上的精神尚存。
作品人物形態適當誇張，畫面輕鬆有趣，色彩雅緻，力現一種高品位的追求。另外在馬文化中，馬還可以引伸為一種性的暗示，產生無限的聯想。

After the horse retreated from our daily life, transportation and the war, it can only say as an entertainment or a kind of spirit for us. For example, the Olympic racing horse and horse riding during travel. In the historical relationship between human and house, creates a profound horse culture. House is everywhere, we used the word about the horse, such as the Chinese idiom of success immediately upon arrival and energetic as a dragon. The oil painting “Space & Trojan”, as a kind of
ancient and modern communication, and a heritage of the house spiritual cultural.
When the horse culture in this particular situation: under the background of traditional culture chasm and beauties era, the house culture seems already gone thought out of us, which make us feel pity. However, the painter uses a positive and objective attitude to express this real situation.
The painting uses a landscapes pommel horse as background, by means of the long history of horse culture. Drawing a modern female knight racing the house in a moment of volleying which insinuate the house current status. The Trojan not only can means by entertainment, but also a spirit. The combination of character and colors strongly expressing the high level of pursue. Besides, in the house culture, house can also be interpreted as a sexual hint, which arousing bottomless imagination of people.