1955年出生,籍貫中國四川。
1983年畢業于山西大學藝術系(美術學院油畫系),任教於浙江傳媒學院影視動畫學院,副教授,現為專職畫家。中國油畫學會會員、浙江美術家協會會員、浙江國際美術交流協會會員、雲峰畫苑代理畫家。
Zeng was born in 1955, native of
Sichuan, China. in 1983. Graduated
from the Fine Arts Department of Shanxi
University (Academy of Fine Arts), taught
at the College of Zhejiang Institute of
Media Television Animation. Now a
professional painter. China oil painting
association, member of zhejiang artists
association, zhejiang international art
exchange association member, she is
also a representative painter of wanfung
art gallery.
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面對省時又省力的高科技成像機器——照相機、攝像機、電腦,驅使我不得不去思考一個問題:“當代繪畫藝術的自身價值是什麼?當代繪畫的意義又是什麼?”我視大自然的一切都很美,僅如機器般地再現其“真實”,有失上蒼賜予我“心”與“大腦”之任。誠以心在盡情盡興地享受那份美的同時,去盡心盡力地繪製心中的肺腑感言以及靈魂的震顫,與觀眾共同分享我心腦之中的所有感悟……。我的畫就是在乘物游心之
時,儘量與現代高科技機器拉開距離。借用線條與色彩將原始的激情與現代的文明相結合,將古典的技法與現代的觀念相結合,將東西方的繪畫特點溶為一體,用心去繪製和表現我靈魂花園之中與天地之間的盡情對話。這裡有不同情調的詩歌及其不同力度的音樂幻感以及加快心跳之速的快感,甚至於還有花的芳香……或些酒的醉意……我深深地癡迷于其中視覺力學與視覺心理學的探索……
The high technology of image capturing
machines, such as camera, video
recorder and computer, which raising
a question to Zeng: “What is the value
of contemporary art of painting? What
is the meaning of contemporary art of
painting? Zeng appreciate to the nature.
She believes the “heat” and “brain” will
being lost if using those machines to
reproduce the “true”. Thus, she would like
to use the paintings sharing her feeling
and experience to the audience. Zeng
is trying to distancing from the modern
high-tech machines. With the lines and
colors, combining the original passion
and modern civilization, the traditional
techniques and modern values and the
eastern and western skills to express
her emotion from the garden, sky and
earth. There is an aroma of flowers …a
drunkenness … Zeng is deeply infatuated
by exploring the visual mechanics and
psychology.
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《鳳求凰》旅居海南十餘年的畫家
王昌楷選取了熱帶地區盛夏嬌豔似火的鳳凰花(又稱火焰樹)為主畫面,作為海南特產的鷯哥自然也成為畫中的精靈。鷯哥、天空、枝幹的黑與白很好地協調了鳳凰花紅與綠的矛盾,瀟灑靈動的筆法譜寫了相互追逐歌唱的生命讚歌。強烈的色彩對比,旋轉的充滿動感的構圖,畫家用油畫的藝術語言,結合中國畫的審美,吸取了中國書法的精華,展現出精准的一筆到位,不可修改的中國式筆法。整張畫面無不體現出對生命激情的歌頌,畫家以東方的審美,油畫色彩,中國畫的氣韻,體現了中國人的積極樂觀向上的價值觀。
Painter Wang Changkai, who
has lived in Hainan for over 10
years, chose as his subject for this
painting the Phoenix Flower (also
known as the Fountain Tree),
which is found in the tropics and
known for its fire-like beauty at the
height of summer. The grackle,
which is indigenous to Hainan, is
the featured spirit in the painting.
The black and white colorings of
the grackle, the sky, and the tree
branches give balance to the
Phoenix Flower’s red and green
contrasts. The unrestrained and
nimble brush strokes resulted in
the composition of a song of praise
for life. Through the presentation
of strong color contrasts and a
dynamic composition, the painter
combined the artistic language of
oil painting with aesthetics unique
to Chinese painting. In absorbing
the essence of Chinese calligraphy,
the painter has displayed a level
of unchangeable recision that
is unique to the Chinese style of
painting. The result is a painting
that manifests a passionate praise
for life. By combining Oriental
aesthetics, the rich colors found
in oil paintings, and the texture
unique to Chinese paintings, the
painter has demonstrated the
Chinese people’s enthusiasm and
optimism toward life.
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