我们是谁？

我们从哪里来？
我们要去哪儿？

把这个问题归属哲学？归属玄学？归属科学？甚至归属迷信？

答案到底在哪？

其实，这个问题我们一直有着永不休止的疑惑但没有终极的答案。

现在的回答不乏两种

答案：是的。

答案：是吗？

Who we are?

Where are we from?

Where are we going?

Can we attribute these questions to philosophy? Or metaphysics? Or science? Or even superstition?

Where are on earth the answers?

As a matter of fact, we are always having unceasing doubt to these questions and never get ultimate answers.

And today there are only two kinds of answers:

One is: Yes.

The other is: Yes?

好了，好了，不要劳神了

暂且休息休息自己的大脑吧

放松紧绷的神经

令自己做到像白纸一样简单，看看曾玲花卉的绘画

花卉的绘画？是,就这麽简单的载体对象

画中……

我看到了冥冥之中升腾出来了金，是金吗？

不是，那是火，

是火吗？不是，

哦，我总结出来了，那是金、木、水、火、土。

Well, well, don’t bother our mind,

and let it have a rest for the time being.

Relax your strained nerves,

and make yourself as simple as a piece of white paper, have a look at the paintings about flowers painted by Zeng Ling.

Paintings about flowers? Yes, it is just this simple carrier object.

From the painting……..

I imperceptibly see the gold ascending out of the painting, is that gold?

No, it’s fire,

Is it fire? No, it’s not,

Oh, I come to understand that that is gold, wood, water, fire and soil.

此刻，在曾玲的画前，自以为聪明的我，是那么的低级，那么的世俗，我物化并具体了画的涵义，我怎能如此庸俗。

另一幅，

我看到了，

是从粒子渐化为有机的生命过程，它已经完成了进化的历程，饱满，丰实，充满了生命的强力，可能它正值生命的巅峰，它精力充沛到向着四周的空间外溢，它向世界展示着自己最绚烂的时刻……

At this very moment, I, a wiseacre, am of a so bad taste and so full of earthliness before Zeng Ling’s painting that I materialize and specify the connotation of it. How can I be so philistine?

From another painting,

What I see is

the process of one seed growing into an organic life. And it has accomplished the journey of evolution, which makes it become full, rich and vigorous. May be the seed is just in the very prime of life that its energy is overflowing to the space around and it shows its most gorgeous time to the world……

别人叫我的名字，我顿时清醒了，这只是一副花卉题材的绘画而已，我怎能想的如此久远，如此无边无际。

飘零。一个多么凄楚的词，形单影只，

除非有另类思想的人愿意将自己沉溺期中，因为这样会有伤感，悲切。

Hearing that someone is calling my name, I snap to my attention immediately. This is just a painting with flower being its subject matter, how can I let my mind go so far away and so boundless and endless.

Fall and wither. What a sorrowful phrase，which is left all alone with its own shadow.

Unless someone with peculiar thought is willing to let himself indulge in it to get the feeling of sadness and grievousness.

错了，

画中，你读懂了，飘零是集聚的前奏，那是个体向主体拥向的生命轨迹瞬间定格，而这种轨迹滑出的路线，像一曲优美的旋律，曾玲扑捉到了，

你一定能感受到……

You may make a mistake,

If you comprehend the painting, you may know that falling and withering is a prelude of collection, which is an instantaneous freeze of life track that the individual goes to embrace the subject. And the route slid by the track is like a beautiful melody, and Zeng Ling has caught it.

You must be able to feel that……

好了，我本没有带着人类解答不了的问题来看曾玲的花卉的绘画，我只是作为一个多年的同行，同事来看看她多年的创作，我没有想到的是，在画中，我感受到了你能和绘画去对话，当然，是心灵的对话，对话之中，我似乎找到了答案，我们是谁？我们从哪里来？我们要去哪儿？

我的精神升腾起来了，这是一种多麽神圣而玄妙的事情啊。

此刻，我顿悟了，她的绘画主题叫“弥生”。

Well, I had not intended to appreciate Zeng Ling’s painting about flowers with those problems that even human can’t solve. I just want to appreciate his work over a number of years as a colleague for many years. What out of my expectation is that from her painting I feel that you can make a conversation with it, of course, it is a spiritual conversation. From the conversation, it seems that I have got the answers to these questions. Who we are? Where are we from? Where are we going?

My spirit begins to soar. What a sacred and mysterious thing.

At this point in time, I suddenly attain the enlightenment that the theme of her painting is “Enlightenment”

丁海祥6月27日与杭州雨夜

Ding Haixiang, on the rainy night of June 27 in Hangzhou